GALLERY
Visual texture is important to me – I like active glazes that run and drip, that flow and pool; glazes that catch the light one way, and then the other. When I glaze my pottery, I’ll dip, spray, and layer the glazes so that the surface of the piece displays the variation one might see on the side of a cliff face, on a weathered boulder, or on the textured stone of an old Greek temple or Crusader castle. My goal is that surface can hold your interest as much as the form, and to that end, several of my pieces are fired multiple times until I am satisfied.
